Archive for February, 2012

Movie Review – This Means War’ Opens in Scotts Valley

February 22nd, 2012

Chris Pine and Tom Hardy play CIA operatives, and best friends, who suddenly find out that they are after the same girl, Reese Witherspoon, in “This Means War.”

Pine plays CIA operative FDR and Tom Hardy plays his CIA counterpart, Tuck, in this movie that is more of a bromance than anything else. The two buddies become quick enemies as they fight for the heart of Witherspoon, who plays the role of Lauren Scott. Using all the latest spy equipment at their disposal they do what they can to sabotage the other’s chances. That, in a nutshell, is the movie.

Witherspoon, an Oscar-winning actress, doesn’t do much for her career in this film. In fact, it may just hurt it to some extent. Pine and Hardy play an unlikely duo as buddies on this mindless mission of love that may self-destruct in three, two….

I’m not going to sugarcoat this, folks. It’s not funny and there is very little romance. So much for it being a romantic comedy, right? The flick-o-meter gives “This Means War” a two out of five. The only reason it gets that high of a mark is because of the star power of Witherspoon, Pine and Hardy. There are a few cameos from some other stars but really, it doesn’t matter. It’s not the fault of the actors; I think most of the blame has to be shouldered by McG, the director. He’s taken the Charlie’s Angles action he is known for and attempted to make a romantic comedy. McG, your mission has failed.

Ekk Deewana Tha Movie Review

February 22nd, 2012

Love is the most simple and also the most complicated emotion. Complicated further by people and society. Which is why the simple boy-girl-meet-fall-in-love premise has been able to offer so many storylines to abundant moviemakers. Where there is romance, there will be those clichés, but it’s the way these are twisted, decorated, wrapped and presented to the audience that makes the whole difference. Gautham Menon has been known to effectively portray complex human emotions and reactions and has given us some beautiful love stories in his movies no matter what genre: Minnale/Rehna Hai Tere Dil Main, Kaakha Kaakha, Vaaranam Aayiram. Having portrayed twice earlier, Gautham brings to you again the story of Karthik-Jessie from Vinnaithaandi Varuvaayaa –aka VV- (Tamil) and Ye Maaya Chesave (Telugu) to the north
audience as Ekk Deewana Tha (EDT).

Sachin (Prateik Babbar), an engineering grad student with a penchant for cinema meets Jessie (Amy Jackson), his beautiful upstairs neighbor. It’s love at first sight for him as he keeps trying to convince her of his love. Jesse, although in love too, isn’t too keen on going against her conservative parents and her dilemma keeps Sachin on the hook. So while our hero sings “Dil hote jo…Mere seene mein do, Doosra dil bhi mein…Tumhe deta todhne ko…”, he actually keeps getting his heart broken time and again as the extremely confused Jessie can’t decide if she wants to be with her love or with her parents. EDT has nothing original to offer in terms of storyline and mashes up all possible clichés…the pehli-nazar-ka-pehla-pyaar, the montages of stalking/pataofying, the ikraar, the caste issue (he is Maharashtrian Brahmin; she is Mallu Christian), bodyguard ready to fight brother, tiffs between the parents of the couple, you get the gist. » Read more: Ekk Deewana Tha Movie Review

Hollywood’s 35 mm film-to-digital switch endangers historic movie houses

February 21st, 2012

The license plate on movie projectionist Arnie Herdendorf’s Buick is 35MM MAN, a nod to his work in the booth at the 1925 Palace Theatre, with its velvet-draped stage and chandeliered mezzanine.

When he drove recently to a multiplex to watch as its film projectors were swapped out for new digital ones, the sight of old 35 mm workhorses “stacked up like wounded soldiers” had him wondering how long his title — or job — would be around.

The questions are even bigger for historic movie houses themselves.

With the future of motion pictures headed quickly toward an all-digital format played only on pricey new equipment, will the theaters be around? Or will they be done in by the digital revolution that will soon render inadequate the projectors that have flickered and ticked with a little-changed technology for more than 120 years? » Read more: Hollywood’s 35 mm film-to-digital switch endangers historic movie houses